MCA, Production Site: The Artist’s Studio Inside-Out
The chorus is, essentially, every resume “objective” statement, ever.
(via absurdlakefront/bookshelfporn)
Installation by Anouk Kruithof.
Transformations
It’s sort of unsettling how effortlessly Pandora turned my “Explosions in the Sky” station into the “George Winston/Ludovico Einaudi” station.
“Cubicle Partition Deep Field”
That little, yellow binary cluster in the lower left is the famous “No seriously, you think that is a good idea?/This is why I drink!” galaxy.
If I remember correctly, this is how Paul Wolfowitz sold the nation on the invasion of Iraq.
Jennifer gave me this Alf valentine. I have a meeting tonight with my death panel choreographer to formalize the instructions stipulating that it be tossed wistfully into my grave.
NO.
But if Eiffel 65’s “Blue (Da Ba Dee)” is playing in the background, and if she says “the reason being is that…”, this will be all 5 of my least-liked things happening at once.
1) Sarah Palin
2) Tonight Show
3) Eiffel 65’s “Blue (Da Ba Dee)”
4) “The reason being…”
So what’s number five? Political Stand-Up? The Huffington Post? The terrible, declarative new-media headline structure “WATCH:”?
While the misses were painful to watch, the hits were so good.
That pronunciation of “provincial” (1:30) is one of my favorite seconds of music ever.
In my personal dictionary, that face is listed under “Faces you make to get punched.”
True fact: Aimee Mann ends almost every song of every live performance by saying “thank you” — it’s incredibly endearing, it’s absolutely likeable, and it’s one of those things that makes her live shows so much better than most.
